(Classical, Chamber) Andrea Luca Luchesi (Lucchesi) - Six Sonatas for Harpsichord & Violin, Op. 1 (Maurizio Paciariello, Susanna Pisana) - 2018, OGG 320 kbps [TorrentX]

Andrea Luchesi : Six Sonates pour clavecin, op. 1. Paciariello, Pisana - 2018Жанр: Classical Страна-производитель диска: Japan Год издания: 2018 Издатель (лейбл): Da Vinci Classics Номер по каталогу: C00097 Дата записи: Recorded in Palazzo dei Priori di Tarquinia, Italy January 12 & 13, 2015 Аудиокодек: OGG Битрейт аудио: 320 kbps Продолжительность: 01:16:30 Источник: WEB Наличие сканов в содержимом раздачи: да Треклист: Andrea Luca Luchesi (Lucchesi) 1741 – 1801 Sonata No. 1 in G Major, Op. 1 01. I. Allegro 02. II. Andante 03. III. Presto Sonata No. 2 in C Major, Op. 1 04. I. Allegro molto 05. II. Andante 06. III. Allegro molto Sonata No. 3 in A Major, Op. 1 07. I. Allegro 08. II. Menuetto. Trio 09. III. Allegro molto Sonata No. 4 in F Major, Op. 1 10. I. Andante 11. II. Allegro molto 12. III. Allegro assai Sonata No. 5 in C Major, Op. 1 13. I. L'harmonique 14. II. Menuetto.Trio 15. III. Rondeau Sonata No. 6 in D Major, Op. 1 16. I. Allegro molto 17. II. Andante 18. III. Menuetto con variazione Исполнители: Maurizio Paciariello fortepiano Susanna Pisana violin Доп. информация: FROM ALBUM NOTES by Edmondo Filippini: Burney called him ‘a very pleasing composer’, while La Borde speaks of ‘a particularly graceful style, concise and energetic arrangement of the parts, and new ideas’. Neefe described him as ‘a light, agreeable and lively composer, whose counterpoint is cleaner than that of many of his countrymen’, Leopold Mozart liked to use one of his harpsichord concertos when teaching. The interest towards Luchesi during his whole life is not little, especially if compared to other composers that never had the fortune to have, at least, a direct quote from such a scholar. By the way, the quotations are nothing if there is no fact and evidence and luckily the music survived is enough to give us an idea pretty correct about his style and why he was so admired and respected. Few things are known about his life. His destiny was not any different than other Kappelmesiter or Maestro di musica in the 17th that has the greatest lucky in a life of a stable job into a Court but at the same time the greatest disgrace to be forgotten soon after his death. Born in Motta di Livenza, close to Treviso, Italy the 23 May 1741, according to Neefe, by 1757 he was in Venice where he studied with Gioacchino Cocchi, Padre Giuseppe Paolucci and Giuseppe Saratelli, the maestro di cappella of S Marco. No other indisputable information is known about his first studies.